SOMA
Writer | Co-Director | DoP | 16mm
One of my favorite things about working with motion picture film is how focused the cast and crew need to be. For this choreographed one-shot story we had exactly one can of 16mm film to work with - about 11 minutes of runtime - which meant three attempts to get it right. I couldn't be more proud of how hard our small but mighty team worked under that kind of pressure.
