Writer | Co-Director | DoP | 16mm
 One of my favorite things about working with motion picture film is how focused the cast and crew need to be.  For this choreographed one-shot story we had exactly one can of 16mm film to work with - about 11 minutes of runtime - which meant three attempts to get it right.  I couldn't be more proud of how hard our small but mighty team worked under that kind of pressure. 
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